Category: Uncategorised

AP

Using the Futura typeface, both medium and bold, I experimented with how the 2 letters – A and P could be incorporated together as a single unit, motif or symbol. I began by merging the letters next to each other, however it seemed that it could easily be misread as a letter R. Therefore, I explored flipping one of the letters upside down, leading to my 7th and final design solution, where the cross bar of the A merges into the the counter of the P. This creates an interesting ‘impossible staircase’ type aesthetic. I would like to further explore with colour .

Labyrinth

Labyrinth: a family moves into a house with unexpected spatial characteristics. The rooms keep shifting position every time a door is opened. The family members are trapped inside the house and start a journey to find the front door. While they keep moving from one room to the next, they discover that they are not the only ones lost in the impossibly infinite labyrinth of the house.

I shaped first half of the book in the outline of a house which can be seen to have a door and a variety of stairs to create the labyrinth affect in the background. I felt that my front page in the first page to the story and is a good way of visualising telling the story.

Here the inside of my book can be seen, on the left is this idea of stairs created out of the books pages, all being connected to a single door. Representing the idea of once the door closes another room appears on the other side. In a way the door represents a portal.

on the right hand page Is the outline of a door getting smaller and smaller as you go though the pages, representing the never ending of this house. I burned the stairs on this page to show them disappearing as you go through the each door.

 

Simplicity is Key

For Berta’s session today the brief was to bring forward the visual dimensions of the story. The story I chose was titled “obsession”.

I first experimented with ripping, crunching, cutting and glueing pages to create this double page spread below.

From this experimentation I liked the effect of the highlighted words so I took this further to create the double page spread you can see at the top of the page. For the left hand side I chose to isolate just one word that was in the middle of the body of text. This represented the womans solitude and calmness at the beginning of the book. For the second page I chose to isolate a number of words that were scattered all around the text, all the words I chose had negative meanings or connotations. The scattered yet isolated aesthetic helped to portray the womans thoughts which were no longer in focus and kept flicking between the book she was reading and the fear of what was going on behind her. In the end I liked the simplicity of my final design and I think it got across exactly what I wanted it to.

Happiness

The idea:

The image which immediately sprang to mind when considering “happiness” was a sunflower, maybe because of the colour yellow, or maybe because the word “sunflower” just sounds happy. I liked the idea of a whimsical character so I gave the sunflower a smiling expression. To turn this image on its head, I drew from the connection between a crop such as sunflowers which are used for oil, and the harmful effects of pesticides used in their production. It is well known that bees are dying at an alarming rate due to factors such as pesticides, so I thought to include dead bees to dampen the mood of this otherwise joyful scene.

The process:

I began by sketching the idea out and inking over it with a drawing pen. On Illustrator I then vectorized the image and coloured it on photoshop. Upon recommendation I animated a camera pan from the top of the image (the happy part) to the bottom (the sad part). I also duplicated the image and darkened it several times to give the animation more depth. I’d never made a GIF on photoshop before so this was a new experience for me

Reflection:

While I think I’ve achieved my goals well, when linking the outcome to the actual brief, I’ve realized that the link between happiness to ecocide is a bit tenuous. This is an important finding as to me, it highlights how it is easy to follow your own interpretation of a brief instead of the actual one.

The H in my name deserves the hierarchy

At first I did a couple of sketches to see which type face I preferred and the different ways I could create a monogram.

I went with Garamond font as I liked the the flow of the letters more. I decided to take my bottom left sketch further as I liked the idea of having my first name Initial as the more dominant lettering, with my surname in the background. I thought it was ironic as in the name your last name is your family name whereas your first name is you.

I then draw it out as a line drawing and as a whole. I preferred the full type so took it further.

I played around with different media, from digital, collage to watercolour paint.

I researched some famous monograms and found that they consisted of 1 to 2 colours max, mainly black and white. which lead me to my final outcome.

Love

For Sara’s project, I created a series of images that capture ‘love’ in a meaningful manner. I decided to play with the idea of family and the love parents have for their child. I chose to use continuous lines to illustrate the parents with their baby. These lines link the family members together and can also represent the ‘timeline’, further playing with the idea of family love.

For the second image, I wanted to show the boy as a young child. Finally, for the third image, I portrayed the two parents standing beside each other. I wanted to capture the loss of the child, which left the parents alone with their heartbreak. I wanted to leave room for interpretation, and so my triptych can either be seen as the death of the child or as the boy had aged and moved away from his family home. On top of this, I decided to move the subjects to the left corner for my final image to help convey the emptiness they feel as a result of their loss.

To add contrast between the three images that I created, I decreased the saturation of the colour used in each.

If I were to do this project again, I would like to create more of a connection between my images to make them more of a single cohesive piece. I would also like to explore the use of animation to create a moving outcome rather than a 2D image.