'It's not all about fonts!' At a special Baseline Shift session, our former Head of Department stressed the importance of design for reading.
'Facing the World: Towards a Global History of Non-Latin Type Design' is a special issue of Philological Encounters, edited by Thomas S. Mullaney of Stanford University, and published by Brill.
The inaugural symposium of the Creative Chinese Character Industry took place at the Beijing Convention Center on 3 and 4 November. The symposium brought together speakers from different areas of research and professional practice relating to the Chinese script: linguistics, Sinology, typeface design, publishing, and calligraphy. The symposium concluded with the preparatory work for the founding of the Chinese Character League, an interdisciplinary body bringing together organisations and agencies, including the Chinese Character Museum in Anyang.
In addition to speaking at the Symposium and being invited to act as guide for the CCL, Gerry Leonidas had the opportunity to update plans for a project, supported by the University of Reading and ATypI, of publishing key typography texts in Chinese. The first title in the series, Jan Middendorp’s Shaping Text, is nearly out of print already; below, Gerry holds the proof edition of the second title, How to create typefaces by Cristobal Henestrosa, Laura Meseguer, and José Scaglione. The series extends to twelve titles, with a schedule of publishing two titles per year.
The latest issue of Eye magazine, the international review of graphic design, is dedicated to typography and typeface design. The Department is very well represented in the issue: it includes an extensive profile of Fred Smeijers, long-time collaborator of Eric Kindel on research in stencil letterforms, and past External Examiner for the MA Typeface Design programme. Our graduate Paul Barnes wrote a tribute to James Mosley’s contributions to scholarship in typography, and Gerry Leonidas led Beyond Latin, a panel article on typeface design for global scripts featuring John Hudson, Neelakash Kshetrimayum, Kamal Mansour, and Pascal Zoghbi.
In November 2013 Typography’s Centre for Ephemera Studies (CES) published a Thesaurus of Ephemera Terms, which is freely available for download here, in two versions: alphabetical and top term order.
At present there are no plans to provide a searchable version. While not wishing to undermine the integrity of the thesaurus it is understood that users will adapt it for their own purposes as circumstances change.
We would welcome any comments and suggestions for improvement received before the end of 2014, as we intend to issue a revised version in 2015.
Please send comments and suggestions to email@example.com.
Edited by the same team that publish the Slanted magazine, this substantial reference volume for new typefaces has just been published by Niggli. The volume presents typefaces in generous specimens, and includes a number of essays on typeface design. Amongst them, a detailed presentation of the MA Typeface Design programme. The impressively produced volume is available from Slanted’s shop.
Monotype’s lauded Pencil to Pixel exhibition (in Wapping last November, and New York earlier this month) included a relaunched Monotype Recorder, after a hiatus of fifteen years (the previous issue had been published to mark the Centenary of the company, on the occasion of the 1997 ATypI conference, in Reading). The new issue celebrates Robin Nicholas’ long career and contribution to the company, as well as to typeface design in general. A few days ago Monotype posted the bulk of the issue as an online magazine, including Robin’s interview to Eye magazine, and Gerry’s comment on Robin’s work.
Available from the St Bride shop, Non-Latin scripts: from metal to digital type reproduces previously unpublished items for the Department’s Non-Latin Type Collection. Collection curator Fiona Rosscontributes a major essay on the type design process for non-Latin scripts and describes the exhibits, Graham Shaw discusses the relationship between these scripts and print technology, and John D. Berry’s afterword discusses the need for global resources in typography. An introduction by Paul Luna draws attention to the research possibilities of the Reading collection.
The publication records the ground-breaking exhibition this autumn at ATypI Hong Kong, hosted at the Hong Kong Polytechnic University Library, which displayed over 150 items from the collection, many of which are illustrated in the book. Exhibition co-curators Ross and Vaibhav Singh selected documents and artefacts to tell the story of type production across technologies in Amharic, Arabic, Bengali, Burmese, Devanagari, Gurmukhi, Kannada, Malayalam, Oriya, Sinhala, Tamil, Telugu, and Thai. A supporting display of newspapers in these scripts showed many of the fonts in use.
The 3-week long exhibition was launched by a keynote presentation by Paul Luna, who discussed the research possibilities of the Reading collection and laid stress on the need for the more immaterial evidence of contemporary font production to be preserved in the same way as physical evidence from the past, the survival of which helps us understand the processes involved and provides an evidence base for current font design. With an audience drawn from China and the East Asia region, India, Europe and the Americas, this was global exposure for one of Reading’s key research collections, with appreciation being expressed both at the conference and subsequently on social media.
For more images from the book and the exhibition, follow this link.