I choose obsession , the story was about a girl who was sitting alone in the library when she hears a voice and she gets scared. she sees a shadow of a mouse and then she looks under the furniture and rips out all the books and she finds nothing. After reading the story I had decided to create at least 5 pages to show each stage the library, the girl sitting on the table scared , the mouse and the a last page where she goes crazy when shefinds nothing. I have used sharpies and fine pens to create illustrations.
I chose the narrative about the man who starts at the top of the Sanatorium but as the days go by he is slowly moved to the bottom floor where he dies. I tried to capture the idea of travelling down through the sanatorium, I did this by cutting descending stairs into my book so like the protagonist in the narrative you too move down through the floors, each page being a step closer to your inevitable doom. On the last page I was going to write ‘death’ however I was concentrating so much on making the word look pretty I actually spelled death incorrectly so i just scribbled over it and drew skeletons, graves and other visuals you correspond with being dead.
In this project I looked at lettering the environment. Specifically, I took pictures of the greyest, most uninteresting lettering that I could find. Minus the sign on the library, I think I’d rarely notice any of it. This is actually interesting though as particularly with “Altron”, this lettering seems to be in public view but the target audience isn’t necessarily the general public. It’s very unclear as to what the name “Altron” is, so it’s meaningless to most who will see it.
All of this lettering is at a different elevation to the surface it exists on, either being raised above , sunken in, or been punched through. This should make the words more prominent, but really they will me ignored almost all of the time.
It was a sunny but windy day on Monday and our task for the day was to take pictures of letterings that fascinated us around the campus. After exploring the campus and taking pictures for 2 hours we were then asked to organise the images whatever way we like.
As I explored the campus I didn’t really have any theme in mind however, I found lettering on the grounds really interesting. I took them in interesting angles so the images would not be too flat.
I like the fading of the ground lettering and rusted look of the metal relief these are caused by environmental elements such as air and water and as a result, gives the lettering a more interesting and unique look.
Todays task was to create a monogram using our own initials. I experimented with both Garamond and Futura. I drew them separately, as well as combining both fonts together. After joining both letters up, I began to experiment how they would appear on top of each other. I liked the idea of this as when you squint your eyes you can see both letters (the lower case ‘e’ and the upper case ‘R’) It almost looks like a symbol.
My final idea consists of the capitalised print using the Garamond font. Out of everything I done on the paper, I specifically liked how the Garamond font looks like a brand logo. I intended to join both letters up originally, however afterwards, I tried a different style. In the final idea, the ‘R’ is not fully shown, nevertheless you can still distinguish that it is the letter ‘R’.
For Kim’s project, I created a monogram of my initials in the Garamond font. I experimented with layering and played with the different interactions between the letter forms. I initially came up with this design:
I decided to experiment further and explore flipping the letter forms. This almost removed the readable quality of the letters and created more of a visual image.
Finally I wanted to include colour and add some depth to my piece. I decided to add a drop shadow as this would also incorporate the dimension I wanted.
The two-tone drop shadow also adds an almost ‘trippy’ element to my outcome, further distorting the letter forms and creating an eye-catching image. However, I decided that the black background was too harsh in contrast to the white. I changed this to blue, which created a more monochromatic outcome. Overall, this made a more cohesive image. To illustrate the journey that I undertook during this project, I created a short video almost like a digital flip book, with my images in order.
Whilst doing this project, I realised how much of lettering is present in our day to day lives. The different signs, logos and numerals we see around us inform, educate or inspire us in one way or another whether it be through an instructing sign, a warning, or a form of merchandising. Although most of the time it is clear what a sign means, sometimes we need to see the scene around it (the context) in order for us to understand the true meaning. After photographing the pictures, I categorised all the images into 4 sets of groups through collages. Each group follows a set of rules to communicate the intended meaning effectively to the public.
I noticed that especially during this unprecedented time due to the virus, we have a large variety of signs and lettering instructing us to behave in a certain way. To show this in my collage, if you see below, I have accentuated these specific images by editing the ordinary instructive signs we see in our day to day lives black and white. Nearly all these signs use imperative verbs to not only convey the message across, but to highlight the significance and importance. This is also done through the use of the vibrant, pigmented colours. The font used is predominantly sans serif which makes it easier for the public to read. This conveniency is vital as these signs would usually be placed in any fast-paced environment (e.g. shopping centre, restaurant) where people should be able to understand the message without any hesitation or confusion.
Below are some more of the collages I created with the category labelled.
Labyrinth: a family moves into a house with unexpected spatial characteristics. The rooms keep shifting position every time a door is opened. The family members are trapped inside the house and start a journey to find the front door. While they keep moving from one room to the next, they discover that they are not the only ones lost in the impossibly infinite labyrinth of the house.
I shaped first half of the book in the outline of a house which can be seen to have a door and a variety of stairs to create the labyrinth affect in the background. I felt that my front page in the first page to the story and is a good way of visualising telling the story.
Here the inside of my book can be seen, on the left is this idea of stairs created out of the books pages, all being connected to a single door. Representing the idea of once the door closes another room appears on the other side. In a way the door represents a portal.
on the right hand page Is the outline of a door getting smaller and smaller as you go though the pages, representing the never ending of this house. I burned the stairs on this page to show them disappearing as you go through the each door.
A client has written a novel and asks you to work on the design of the book. He wants you to develop a concept that enhances and brings forward the visual dimension of the story. He does not request a traditional design, but a book that helps to develop the narrative through its form and materiality
Labyrinth: a family moves into a house with unexpected spatial characteristics. The rooms keep shifting position every time a door is opened. The family members are trapped inside the house and start a journey to find the front door. While they keep moving from one room to the next, they discover that they are not the only ones lost in the impossibly infinite labyrinth of the house.
I first started by finding a template of a labyrinth and my initial plan was to cut out sentences of the book and place them around the labyrinth to create a 3D effect. As the labyrinth gets smaller the sentences get shorter which represents their journey to find the front door. This however didn’t go to plan. Therefore I thought of a second plan which used the pages in the book to get deeper into the labyrinth.