Category: events

Data Journalism: A designer’s perspective

An Information Design Association talk by Lulu Pinney

6.30pm on 15 October
Performing Arts Lab, Royal College of Art

The internet has had a profound impact on journalism, as it has on many things. The vast quantity of data the internet has enabled us to discover, collect, explore and share is part of this. Visual design provides a powerful tool for finding and telling the stories contained within data. With data journalism spanning several disciplines designers have much to contribute, and much to learn.

BOOK A TICKET…
http://www.amiando.com/idadatajournalism.html

Lulu Pinney
Educated to become a numbers person but equally curious about pictures and words, Lulu gained design experience at Pentagram, Haymarket Business Publishing and BBC News Online. She now teaches, creates and blogs about infographics.

Type design and inter-disciplinary innovation

Phototypesetting disk segment

The Musée de l’imprimerie in Lyons is hosting ‘La lettre à l’heure des révolutions technologiques’, an exhibition about typeface design and technological revolutions throughout the twentieth century curated by Alice Savoie, celebrated typeface designer and PhD researcher in the Department.

This exhibition, which runs to 14 October, illustrates the challenges faced by users and producers of typefaces during the three major technological shifts in the industry: from foundry type to hot-metal, to photo-composition, and to digital typesetting. The exhibition explores the considerable influence these changes have had on the design process, and the progressive disembodiment of type, which transformed the industry and redefined the roles of both designers and manufacturers.

The material presented draws on the typographical archives held by three major institutions: the Musée de l’imprimerie in Lyon, the Monotype archives held by Monotype Imaging in Salfords (UK), and the non-Latin collections in the Department.

The closing of the exhibition is marked by the Congress of the Association of European Printing Museums. The two-day event features an exceptional roster of speakers: Iris Kockelbergh (Director of the unique Plantin-Moretus Museum in Antwerp), Andrea De Pasquale (Director of the Braidense National Library in Milan, and the University Library in Turin), Charlotte Delannée, Johan Seivering, and Andréas Schweitzer (of the Association pour le patrimoine industriel, Suisse), Honourary Friend of the Department Mathieu Lommen (Curator of graphic collections, Amsterdam University Library), and our very own James Mosley, Richard Southall, and Alice Savoie.

Whatever Next

Whatever Next

Founded by Camberwell Press‘ creative director, James Edgar, Whatever Next: a discourse in typography is an exhibition and book stemming from a series of conversations that took place in 2011. The discussions are prefaced by four essays, one of which is by Gerry Leonidas. The book will be launched at the Kemistry Gallery on 4 October, with a corresponding exhibition of visual responses to the discussions by contributors. The exhibition will run until 20 October, and is open daily 10:00–18:00, and 11:00–16:00 on Saturdays.

Simplicity at the London Design Festival

Simple is smart

Alison Black, Professor of User-centred Design, shared a platform with leading designers and creative thinkers at the 2012 London Design Festival, explaining the importance of simplicity when developing products and services. Charing the event, which took place at the V&A Museum, was Philip Davies of Siegel+Gale. Other panel members were Merlin Crossingham, creative director of Wallace and Gromit at Aardman Animations; Stephen Fear, British Library entrepreneur-in-residence; and Charlie Allen, bespoke London tailor.

The panel shared their perspectives on the fundamental significance of implementing simplicity to connect to the modern consumer. They also provided their views on a wide range of topics, including how to embrace simplicity while avoiding the simplistic. Another interesting discussion centered around the idea that people have different perceptions and interpretations of simplicity.

“Brands that provide simpler interactions and experiences are winning the battle to stand out in the competitive marketplace,” said Philip Davies. “Simplicity is a powerful tool that helps brands get into consumers’ heads faster, and stay there for longer. As the UK continues to struggle in economic uncertainty, those brands that offer experiences that are clear, direct and easily communicated will generate strong customer loyalty and forge ahead.”

The lively debate played out on Twitter. Highlights from both #SimplicityTalks and the live event will be curated, together with opinions, images and ideas from select influencers who are renowned for simplicity in their fields, to create a book that will showcase the profound impact of simplicity.

Typecon Education Forum slides online

Opening the Education Forum in Typecon Milwaukee, Gerry offered a model for design education focused on typographically-rich environments on tablets, mostly. He talked about teaching the combination of paragraph-level typographic skills, information architecture, and interaction design required for designing complex documents like newspapers on small tablet screens. The slides (without commentary) are on SpeakerDeck.

The problem of black ephemera

Should offensive images be consigned to history? On Wednesday 4 July, we host a unique conference that will examine how black people have been visually portrayed in printed material from the 1800s to the 21st century, organised by the Centre for Ephemera Studies and Hackney councillor and cultural historian Patrick Vernon.

An accompanying display of everyday printed items, including packaging, advertising, postcards, and sheet music, will offer insights into the ways in which black people of African descent have been depicted over the years, typically through stereotypes that we now recognise as offensive. Delegates will hear from historians of black culture and design, curators and collectors of ephemera.

Professor Michael Twyman, Director of the University’s Centre for Ephemera Studies said: “Facial, bodily, and behavioural stereotyping was so deeply embedded when artists depicted black people that even those with no particular racial agenda fell into the trap. But others wilfully played on such stereotypical traits for the purpose of advertising, humour, or in order to make political or social points. This conference will ask if we should sweep such images under the carpet as too obnoxious for viewing, or whether there is value in reminding ourselves of the dangers of any persistent kind of graphic stereotyping.

“Some themes, particularly ones contrasting black and white or clean and dirty, were endemic in advertising. The study day will reflect the many ways and numerous situations in which stereotypes of black people have been disseminated from the days of slavery through to recent times.”

Patrick Vernon said: “Black ephemera provides the opportunity for people of African descent to reclaim and revisit this period in the life of black communities after slavery, but before the civil rights movement and the struggle for independence in Africa and the Caribbean. When one looks at a range of black ephemera from postcards, trade cards/advertising, photographs and newspapers, most of these images tend to be racist and stereotypical. Tens of thousands of these negative images are still in circulation today up and down the country at postcard, book/ephemera fairs and in the possession of private dealers.”

The study day, ‘Black ephemera: depictions of people of African descent’ – 11.00 to 18.30, costs £50 (including lunch and drinks). Applications and enquiries to Diane Bilbey d.j.bilbey@reading.ac.uk

Universities are living things…

A keepsake for the Secretary of State for Education
A keepsake for the Secretary of State for Education

So starts a quote by this University’s first Vice-Chancellor, selected by the current VC, Sir David Bell KCB. On a very tight deadline, we produced a keepsake (pictured above) to present to the Rt Hon Michael Gove MP, Secretary of State for Education, on the occasion of the launch of the University’s Institute of Education, on 21 June (press release). We wanted something special, that would reflect the breadth of University life.

Rafael Saraiva, a student on the MA Typeface Design programme, did the lettering and designed the typeface in which the text is set in. Darren Lewis, Head of the University’s Design & Print Studio, oversaw the printing on the University’s digital press. Gerry Leonidas, Director of the MA Typeface Design, specified the typography and supervised the project.