The highly esteemed Japanese design magazine IDEA dedicated an issue to the career of Toshi Omagari with the theme “Typeface design for the voice of the world: The Works of Toshi Omagari”. Toshi graduated with Distinction from the MA Typeface Design in 2010–11, and went on to work for several years for Monotype. More recently he set up his own foundry, and is now also a visiting teacher in the Department.
Toshi’s work spans both original work and revivals, and extends to numerous scripts: he is particularly notable for his work in Asian scripts for which there has not been extensive coverage in digital typefaces. He is also the author of Arcade Game Typography, the definitive book on arcade game pixel fonts, as well as numerous plugins to support font development. His teaching in our Masters spans workflows, design feedback, and approaches to global script design.
The Musée de l’imprimerie in Lyons is hosting ‘La lettre à l’heure des révolutions technologiques’, an exhibition about typeface design and technological revolutions throughout the twentieth century curated by Alice Savoie, celebrated typeface designer and PhD researcher in the Department.
This exhibition, which runs to 14 October, illustrates the challenges faced by users and producers of typefaces during the three major technological shifts in the industry: from foundry type to hot-metal, to photo-composition, and to digital typesetting. The exhibition explores the considerable influence these changes have had on the design process, and the progressive disembodiment of type, which transformed the industry and redefined the roles of both designers and manufacturers.
The material presented draws on the typographical archives held by three major institutions: the Musée de l’imprimerie in Lyon, the Monotype archives held by Monotype Imaging in Salfords (UK), and the non-Latin collections in the Department.
The closing of the exhibition is marked by the Congress of the Association of European Printing Museums. The two-day event features an exceptional roster of speakers: Iris Kockelbergh (Director of the unique Plantin-Moretus Museum in Antwerp), Andrea De Pasquale (Director of the Braidense National Library in Milan, and the University Library in Turin), Charlotte Delannée, Johan Seivering, and Andréas Schweitzer (of the Association pour le patrimoine industriel, Suisse), Honourary Friend of the Department Mathieu Lommen (Curator of graphic collections, Amsterdam University Library), and our very own James Mosley, Richard Southall, and Alice Savoie.
From a report about the ATypI Reykjavík conference
‘This year’s conference programme included talks on – at the very least – Arabic, Devanagari, Khmer, Korean, Latin, Meeti Mayek, Mongolian, and Tamil scripts. Aside from the annual TDC and TDC² exhibitions that have long been part of the ATypI conferences, this year saw the first World Scripts Exhibition from the collections of the Typography and Graphic Communication department of the University of Reading. Fiona Ross and Alice Savoie curated this fascinating glimpse into the resources available to students and researchers at Reading; many of the items included traveled outside of the archives for the first time in order to be part of this exhibition.’