Category: students and graduates

In the Top Twenty – John Morgan

08_johnmorgan_aafiles-displayinitials
Lists and rankings are great fun, especially if you hit the upper reaches of the charts! That’s exactly what John Morgan, Reading alumnus and visiting teacher on our MA Book Design programme, has achieved in the Wallpaper* list of Top Twenty Graphic Designers. ‘Culture’s go-to art director’ is the way it describes John, picking up on his work for AAFiles, Tate Britain, the Venice Architecture Biennale, HMS Victory, and countless art-related publishing projects. Also cited by Wallpaper* as an ‘influential editorial designer’ is the external examiner for our BA programme, Simon Esterson.

Reading in the US web standards

US web standards crop

Good typography is at the heart of government and public services: it enables access to information, builds trust, and ensures accessibility. This statement will not surprise anyone who appreciated the impact of the redesigned GOV.uk site, and similar efforts in other european countries. Well, now the US government has published its own comprehensive guidelines for the web, to “set a new bar for simplicity and consistency across government services”.

Dig down a bit, and the Reading connection is clear: the two typefaces recommended for all US government websites are Merriweather and Source Sans Pro. Merriweather was designed by MATD alumnus Eben Sorkin, and was based on his research at Reading for his typeface Arrotino. Source Sans Pro was designed by MATD alumnus Paul D. Hunt, as part of his work at Adobe.

It’s a nice thought that, through the work of graduates, a little bit of Reading’s methodology and attention to detail has found its way on sites that can impact so many lives.

Apple’s new system fonts

Antonio Cavedoni at WWDC

 

There is a good community of Typography graduates working at Apple, and in recent days we got a peek at what they’ve been working on. During the annual World Wide Developers Conference held in San Franscisco MATD graduate Antonio Cavedoni took to the stage to introduce the new system fonts for the Apple platforms.

The talk is an excellent overview of the work that typeface designers do “behind the scenes” to ensure the texts we read on our devices are readable and well-structured – and a superb introduction to the level of detail that typeface designers work every day.

Reading in Eye’s typography issue

Eye magazine cover

The latest issue of Eye magazine, the international review of graphic design, is dedicated to typography and typeface design. The Department is very well represented in the issue: it includes an extensive profile of Fred Smeijers, long-time collaborator of Eric Kindel on research in stencil letterforms, and past External Examiner for the MA Typeface Design programme. Our graduate Paul Barnes wrote a tribute to James Mosley’s contributions to scholarship in typography, and Gerry Leonidas led Beyond Latin, a panel article on typeface design for global scripts featuring John HudsonNeelakash KshetrimayumKamal Mansour, and Pascal Zoghbi.

Google PlayBooks have new typeface by Reading graduates

literata typeface

Google’s PlayBooks application features a new typeface family by Type-Together, which was founded by Reading alumni Veronika Burian and José Scaglione. The brief for the new typeface demanded an outstanding reading experience across a wide range of devices and high resolution screens utilising different rendering technologies. Furthermore, the new typeface family was expected to avoid conventions for e-Readers that have roots in the lower resolutions of earlier devices, and demonstrate how e-Readers could provide a typographic environment comparable to printed pages.
The typeface, called Literata, not only had to define a distinct visual identity for Google’s native app, but achieve this across the three scripts required for pan-european coverage. Fellow MATD alumna Irene Vlachou worked on the Greek character set, with support from Gerry Leonidas. Images of the typeface are available on Flickr.

 

Typography student winner of University MA prize

We’re very pleased that Tomoko Yamamoto, who recently completed the MA in Information Design, was awarded the University’s Outstanding Taught Postgraduate Student award at her graduation on Friday.

To be eligible for the prize, a student must achieve distinction-level grades in every one of the modules they study as part of their Master’s programme. The award is then made to the student with the highest mark for their dissertation, and the highest overall weighted average mark. This year competition was fierce, with 20 students from subjects across the University achieving distinction marks in every module.

The award was presented to Tomoko by the Chancellor, Sir John Madejski. Ole Lund, programme director for Information Design, said ‘This award is a wonderful recognition of Tomoko’s hard work and we are very proud of her achievement.’ Professor Peter Miskell, Taught Postgraduate Recruitment Project Leader, commented ‘This clearly reflects well not just on Tomoko’s outstanding performance, but also on the Department more widely, and the calibre of students Typography & Graphic Communication is able to recruit.’

Tomoko, whose dissertation topic was the communication of tsunami evacuation procedures, joined the MA programme to consolidate professional experience she had gathered in medical research communication. She is planning to continue her career in information design research.

Successful undergraduate summer research project

Mel and Peter

Congratulations go to Part 3 students, Mel Towriss and Peter Loveland (pictured above) who, over the summer, took part in the University’s Undergraduate Research Opportunity Programme (UROP) and worked with Centre for Information Design Research. Their project examined how on-screen text format affected people’s reading speed and comprehension, as well as people’s views on which text formats were most appropriate for different purposes. The texts used for the study dealt with employers’ responsibilities to run a payroll and were drawn from the GOV.UK web site. Mel and Peter found strong agreement among study participants regarding the text formats; for example, what might be appropriate for beginner or professional readers of the information. Reading times for the different formats did not differ significantly across format but there were differences in comprehension of the information they presented. Mel and Peter were runners up in a research poster  competition for all students taking part in the UROP scheme and will be taking their poster to the 2015 British Conference of Undergraduate Research.

A very special ATypI

Jan Tschichold's corrections

As students were settling into their Halls for Welcome Week and the start of the new academic year, Sunday marked the return of several members of the Typography family from the annual ATypI conference, a highlight in the calendar of international type professionals. Held in Barcelona’s impressive new Museu del Diseny by MBM Arquitectes the conference was especially significant for Typography: to celebrate the award of the Sir Mischa Black Medal to Michael Twyman, the Association invited him to deliver the Keynote lecture on the topic of  “Typography as a university study”. (The image above, of visuals marked up by Tschichold for a facsimile edition of Vespasiano’s 1572 writing manual, is from Michael’s collections – and seen by postgraduates who join his seminars.)

Forty years after the foundation of the Department of Typography & Graphic Communication (and a few more since the inception of the original course, in the late 1960s), Michael’s integration of history, theory and practice continues to define typographic education. These ideas have proven not only resilient, but prescient: graphic communication education worldwide is moving towards these ideas, holding Reading as a model for both new courses and institutions realigning their design studies.

Fiona Ross and Michael Twyman

(Above: Fiona Ross and Michael Twyman in Barcelona. Photos by Elena Veguillas)

Reading’s presence at the conference was notable. Eric Kindel and Gerard Unger delivered presentations, as did no less than ten MATD alumni, with two more taking part in panel sessions (Azza Alameddine, Nathalie Dumont, Paul Hunt, William Montrose, Toshi Omagari, Michele Patane, Dan Reynolds, Dan Rhatigan, Alice Savoie, Liron Lavi Turkenich; and Veronika Burian and Nadine Chahine respectively). Fiona Ross co-curated (with the regrettably absent Vaibhav Singh) the exhibition “Making news: type technologies in transition in newspapers across the world”. The selection of items from the Department’s Collections & Archives are a source of fascination and discussion by type designers, and reflect the growth of interest in global scripts.

Making News exhibition
Borna Izadpanah and Behdad Esfahbod reviewing the Urdu section of the exhibition.

ATypI president (and Reading alumnus) José Scaglione’s announcement that ATypI 2015 will take place in São Paulo, the first South American location for the Association, which will bring the conference closer to the substantial community of Brazilian alumni.

Crossing Borders in Antwerp

typosium 2014

The ninth Typosium, organised by Initiaal, took place at the Museum Plantin Moretus in Antwerp on 30 August, with the theme Crossing Borders/Genze(n)loos. Our own Jo De Baerdemaeker, Fiona Ross and Gerard Unger were amongst the presenters. Gerard spoke about his Alverata project, a contemporary typeface drawing on romanesque sources and employing a wide range of historically-inspired alternate shapes. Fiona wand Jo conducted a Dialogue on type, looking at a range of projects for global scripts.  Pictures on Jan Van der Linden’s photostream.

 

This is not about fonts

QZ article on fontsQuartz just published an extensive report on the globalisation of the typeface design market and the impact on the communication sector, with support from Gerry Leonidas, alumnus David Březina, and a reference to MATD alumna Juliet Shen’s design for Lushootsheed.

Quartz’s post is another entry in a the growing list of articles in business and general interest publications about typefaces, evidence that awareness about the importance of typeface design is spreading to fields far outside the design sector.