Members of the ‘Isotype revisited’ team, Christopher Burke, Eric Kindel, Michael Twyman and Sue Walker, participated in an interdisciplinary symposium and workshop at the invitation of the University of Vienna and the Institut Wiener Kreis.
The two-day symposium, ‘A tribute to Otto Neurath’, took place at Vienna’s Künstlerhaus gallery and coincided with its exhibition Zeit(lose) Zeichen (Time(less) Signs), featuring work made by artists and designers influenced by Isotype and Neurath. Christopher Burke was among the symposium’s speakers; his talk was on ‘The “Weiner Methode der Bildstatistik” (Isotype): between Art and Design’.
The one-day workshop that followed was hosted by the Institut Wiener Kreis and took place at the University of Vienna. Those from Reading contributed talks about teamwork in making Isotype charts, the children’s books series the ‘Visual History of Mankind’, the making of the public information films directed by Paul Rotha, the outcomes of the ‘Isotype revisited’ project and on-going initiatives at Reading associated with the Isotype Collection.
Five years after the first Greek Week-End in New York, Gerry Leonidas will return to the TDC. Already in 2007 Greek was becoming a central part of most large typeface projects, especially international branding applications. In the intervening years Greek has become a key aspect of professional designers’ skills, and a regular expectation in job postings. Just as importantly, Greek represents a particularly rewarding challenge for designers, combining a long and complex development with a relatively wide space for designers to experiment. The two-and-a-half day workshop will start with a hands-on research session, and include seminars on aspects of Greek typeface design, in-depth reviews of reference contemporary typefaces, and design critiques of work by the participants.
Gerry will also deliver a lecture at the TDC Salon on the deign of the forthcoming Greek-English Intermediate Lexicon, a major new publication by Cambridge University Press, now in its final stages. The Lexicon takes advantage of recent developments in typeface design, and offers insights into a particularly challenging typographic brief.