The notable Russian online journal «Шрифт» (“Type”) published a substantial interview of Gerry Leonidas, programme director of the MA Typeface Design. The interview, which focuses on Reading’s pioneering approach to typographic education, is accompanied by images of student work and moments from the Department captured by Evgenia Basyrova.
The original text of the interview, in English, is available on this page.
Marking the University’s new connection with the Mushashino Art University of Tokyo, two staff members and four students visited the Department of Typography & Graphic Communication for an intensive week of typeface design. The group, led by Reading alumnus Professor Yoshiro Goto of the Visual Communication Design Department, used their time in Reading to conclude a collaborative project devised by Prof. Goto and Gerry Leonidas, and delve deeper into the Department’s research-informed approach to typographic practice. Their schedule combined dedicated sessions, as well as shared tutorials and seminars with current BA students. The group also took part in sessions of particular interest by Professors Michael Twyman and Gerard Unger. Assisting generously throughout the week were fellow alumni Julian Moncada and Toshi Omagari (also a MAU alumnus).
This year’s Monotype Studentship, awarded to an incoming MA student through the generosity of Monotype Imaging Ltd, has been awarded to Slovenian student Teja Smrekar, who will study Typeface Design. Teja receieved her first degree in Fine Arts from the University of Maribor, where her dissertation topic was ‘The socially engaged poster’. Teja has developed an interest in typeface design and attended workshops run by Gerry Leonidas and Reading alumna Veronika Burian. In her professional practice she has designed poetry books, an identity for the Association of Slovenian Artists, and has exhibited her work at EDUZGRAF in Zagreb, Croatia.
Dan Rhatigan, Type Director at Monotype, said ‘We selected Teja because of her overall enthusiasm and particularly her research interests in the Cambodian Khmer script. It’s always our hope that the Monotype Studentship will encourage the student who benefits from the opportunity and enable them to contribute to the wider body of typographic knowledge.’
Paul Luna, Head of Department, said ‘The support of industry partners is vital to allowing students from all over the world to study at Reading, and we are very grateful to Monotype for this continuing generous contribution to design education.’
The University of Reading is a partner in the 2013 Granshan: Design and Identity conference in Bangkok, currently under way. The Department is contributing with a special version of the “From hot-metal to OpenType” exhibition, which opened to the public yesterday in the library of Chulalongkorn University.
Speakers include Typography staff Gerard Unger and Gerry Leonidas, and graduates Paul Hunt and Ben Mitchell.
Edited by the same team that publish the Slanted magazine, this substantial reference volume for new typefaces has just been published by Niggli. The volume presents typefaces in generous specimens, and includes a number of essays on typeface design. Amongst them, a detailed presentation of the MA Typeface Design programme. The impressively produced volume is available from Slanted’s shop.
Reading staff and graduates have returned from the fifth International Conference on Typography & Visual Communication, hosted by the University of Nicosia. ICTVC is the brainchild of Dr Klimis Mastoridis (a Reading alumnus) who, since the first event in 2002, has given the conference a distinct character that sets it apart from most such events. Amongst typography-orientated events, ICTVC is probably the most diverse in the range of academics and practitioners it brings together. And, even in this smallest of its iterations, it attracted speakers and delegates from four continents.
The combination of research and practice makes ICTVC a very good fit for Typography, and it was no surprise to see the Department represented well. The speaker lineup included staff members Mary Dyson, Gerry Leonidas, and Sue Walker, and current PhD candidates Sallie Morris and Niki Sioki. PhD alumni Petra Cerne Oven, Sue Perks, Karel van der Waarde, and MA alumni Julián Moncada, Elena Papassissa, Vaibhav Singh, and Adi Stern also presented papers.
For a general report on the conference, head over to Mark Barratt’s post on the Eye magazine blog.
Monotype’s lauded Pencil to Pixel exhibition (in Wapping last November, and New York earlier this month) included a relaunched Monotype Recorder, after a hiatus of fifteen years (the previous issue had been published to mark the Centenary of the company, on the occasion of the 1997 ATypI conference, in Reading). The new issue celebrates Robin Nicholas’ long career and contribution to the company, as well as to typeface design in general. A few days ago Monotype posted the bulk of the issue as an online magazine, including Robin’s interview to Eye magazine, and Gerry’s comment on Robin’s work.
The annual TypoBerlin conference is a major fixture on the European design calendar, bringing together over 1,500 attendees in the Haus der Kulturen der Welt in Berlin. Erstwhile staff member Ken Garland opened this year’s conference with a talk on the theme of “touch”, taking the audience on a journey through senses and ideas, culminating with a very personal and touching – pun intended – story. Department graduates Paul Barnes and Marian Misiak talked on making typefaces from Cornish vernacular lettering, and Polish type design heritage from the Communist era respectively. Gerry Leonidas spoke on the emergence of typeface design as α professional discipline with global reach. Slanted magazine have been reporting on their blog on Ken, Paul, Marian, and Gerry.
Fabula is gaining popularity for use in resources for children, both on paper and on screen.
The typeface was designed under Sue Walker’s direction by a team of staff and students at Reading, including Vincent Connare, José Scaglione and Gerry Leonidas, as part of an EU-funded project producing bilingual story books for children. Since then it has been available for free, along with advice if required, from the Typographic design for children web site.
Some examples of how Fabula has been used:
Jashanjit Kaur, a designer based in Hyderabad, India used Fabula for Amigo, described as ‘a socialising platform for school children that provides a medium for sharing their ideas and pursuing interests in a safe and secure environment’.
Cecelia Erlich used the letterforms in a Spanish television programme, La cucaracha.
Dietmar Brühmüller used the font for the whole range of four young children’s games, including the one illustrated above.
When the Pencil to Pixel exhibition opened in Wapping last November, visitors were treated to a rare selection of typeface design and type-making objects from the Monotype Archive. The inspiring exhibition was accompanied by a special issue of the Monotype Recorder celebrating the work of Robin Nicholas, and an exceptional special issue of Eye magazine.
Today the exhibition announced the dates and location for its New York City run, in May. The exhibition is supported by the Department (which also claims amongst its alumni the curators of the exhibition).
