Tag: typeface design

Pencils to Pixels, and more

Gill drawings

The University is a partner in the Pencil to Pixel exhibition which opened yesterday in the Metropolitan Wharf, in Wapping. After the taster of Gill’s drawings seen in Beauty in the Making last spring, Monotype pulled out all the stops for Pencil to Pixel: the event marks the first public viewing of many materials from the archives in Salfords, from original drawings by Bruce Rogers and Chris Brand, to an unbound folio masterpiece of Modern typography belonging to Adrian Frutiger, to an innovative display taking over the entirety of one of the walls, displaying a never-reccurring combination of typeforms from the company’s library. The exhibition is accompanied by twelve “collections” (booklets showcasing themed selections of typefaces by Abbott Miller, Patrick Burgoyne, and others), and a range of specimens and keepsakes.

The exhibition marks the publication of two major editions: a new issue of the Recorder, celebrating Robin Nicholas’ career in the company (with an opening article by Gerry Leonidas), and a special issue of Eye magazine, dedicated to the contributions of Monotype to type and typography. Both editions include superb photography, and should become instantly collectable – not least because the material in the exhibition is unlikely to be made available in this scale anytime soon.

There are many Reading connections with the exhibition, starting with the main organisers: Dan Rhatigan and James Fooks-Bale are both graduates of the Department. The special Recorder issue  follows on from the Centenary Issue of 1997, published on the occasion of the ATypI conference in Reading; and the Linotype the Film publicity on display sports the exquisite (but unreleased, yet) redesign of Metro by another graduate, Toshi Omagari. Not least, the Recorder includes a picture of Robin teaching a few years back in a room eerily similar to the studio where Book- and Information Design postgraduates spend their days!

More about the exhibition in blog posts by Eye and Gerry.

Type design and inter-disciplinary innovation

Phototypesetting disk segment

The Musée de l’imprimerie in Lyons is hosting ‘La lettre à l’heure des révolutions technologiques’, an exhibition about typeface design and technological revolutions throughout the twentieth century curated by Alice Savoie, celebrated typeface designer and PhD researcher in the Department.

This exhibition, which runs to 14 October, illustrates the challenges faced by users and producers of typefaces during the three major technological shifts in the industry: from foundry type to hot-metal, to photo-composition, and to digital typesetting. The exhibition explores the considerable influence these changes have had on the design process, and the progressive disembodiment of type, which transformed the industry and redefined the roles of both designers and manufacturers.

The material presented draws on the typographical archives held by three major institutions: the Musée de l’imprimerie in Lyon, the Monotype archives held by Monotype Imaging in Salfords (UK), and the non-Latin collections in the Department.

The closing of the exhibition is marked by the Congress of the Association of European Printing Museums. The two-day event features an exceptional roster of speakers: Iris Kockelbergh (Director of the unique Plantin-Moretus Museum in Antwerp), Andrea De Pasquale (Director of the Braidense National Library in Milan, and the University Library in Turin), Charlotte Delannée, Johan Seivering, and Andréas Schweitzer (of the Association pour le patrimoine industriel, Suisse), Honourary Friend of the Department Mathieu Lommen (Curator of graphic collections, Amsterdam University Library), and our very own James Mosley, Richard Southall, and Alice Savoie.

Type in Europe

James Mosley and Alice Savoie are contributors to a new book published to coincide with the Congrès des Musées Européens de l’Imprimerie in Lyon. James Mosley contributes an inventory of ‘the materials of typefounding’, while Alice (who is an AHRC-funded research student) writes with Alan Marshall and Bernadette Moglia on ‘our typographic heritage’.

Copies are available from www.imprimerie.lyon.fr

La lettre en Europe

Whatever Next

Whatever Next

Founded by Camberwell Press‘ creative director, James Edgar, Whatever Next: a discourse in typography is an exhibition and book stemming from a series of conversations that took place in 2011. The discussions are prefaced by four essays, one of which is by Gerry Leonidas. The book will be launched at the Kemistry Gallery on 4 October, with a corresponding exhibition of visual responses to the discussions by contributors. The exhibition will run until 20 October, and is open daily 10:00–18:00, and 11:00–16:00 on Saturdays.

Gerard Unger wins the Piet Zwart Lifetime Achievement Award

Gerard Unger

Gerard Unger, Visiting Professor in the Department, has been awarded the Piet Zwart Lifetime Achievement Award. The award, instituted by the Association of Dutch Designers (BNO), will be given during the Dutch Design Awards (DDA) ceremony, on 21 October. The BNO has put out a substantial press release in Dutch only (go to the Google translated page).

Our warmest congratulations!