Manuel Bravo Project  

Overview   

The client for this project was the Manuel Bravo Project, a free legal representation for asylum seekers and refugees based in Leeds. The organisation recently had a rebrand of their logos and letterheads, causing them to look for new physical outputs to help enhance the new branding. There are two different branches of the Manuel Bravo Project – In-house and Outreach. They are aiming to look for ways to appeal directly to these different target audiences.  

Restated brief 
The client originally requested two leaflets to appeal to their separate target audience; In-house and Outreach. However, we suggested to help raise further brand awareness, therefore by having a physical banner, it would be a useful output for the organisation can use at charity events to help draw in new support and clients.   

Due to the organisation’s two branches, our client wanted us to incorporate the different brand colours within the leaflets, to ensure the correct information is being received. With their green colour symbolising the Outreach audience, and red for the In-house casework audience. Our client has distinct target audiences – clients who are often new to the country with limited English, corporate/funder audiences who need to know a bit more about our background, and volunteers/partners who we recruit to help them with their work.  

Final deliverables:  

  • 2 A5 2pp leaflets   
  • 2m portrait banner for physical use   

  

Research  

The first stage of the project began with research to understand the Manuel Bravo Project. We used information provided by the client as well as their website to gain a thorough understanding of the charity’s background and its mission, vision and core values. We identified that our main target audience was those who spoke minimal English and therefore knew our designs needed to cater to this. However, we also recognised a secondary audience such as volunteers and donators, so we wanted to make sure our design resonated with both demographics.  

During the research process, we analysed various charity leaflets for inspiration. We noted that many of them tended to be overcrowded with information, potentially overwhelming for the readers. This was something we needed to avoid especially with our primary target audience. We aimed to structure the leaflets in a way that prioritised clarity and ease of understanding, by focusing on hierarchy and simple messaging.  

Designing 
We commenced the design process by experimenting with various leaflet styles through sketches, considering different layouts. After visualising each exploration, we opted for a simple double-sided A5 leaflet design. We felt this choice was best suited for its intended target audience, as there was no complexity of what pages of the leaflet were to be read first. Our client agreed with this decision and during a feedback meeting with him, we further discussed his favoured options for text and image placement.  

On the front of both leaflets, we highlighted the charity’s mission, vision, and approach as well as a concise overview description. For the back of the leaflets, we tailored the content more specifically to each branch of the organisation – In-house representation and Outreach services.   

Furthermore, to address the main target audience, we thought it would be useful to enhance the accessibility of the leaflets for those whose first language isn’t English. We proposed the idea of a scannable QR code translator on both leaflets for users to access relevant information and resources in their chosen language.  

Figure 1: Leaflet sketch 1

 

Figure 2: Leaflet sketch 2

 

Figure 3: Banner sketch 1 & 2

The banner was designed after the leaflets were finalised. Initially, we struggled with how to represent Manuel Bravo in a banner format. The real jobs meeting was extra helpful during this stage of the design process as tutors and peers helped us refine our banner design. We focused on maintaining consistency with the leaflet designs by carrying over key design elements such as typography and illustration style. One of our illustrations was adjusted to sit perfectly on the banner and it was able to fill in white space that we initially struggled with.   

Meetings with the client and the real jobs team helped us guide our design decisions to create the most effective designs. The client was helpful in providing minor tweaks for us to change throughout the project.  

Imagery 
We created engaging and unique illustrations to present on the front and back of the leaflets. The illustrations allowed us to depict diverse characters. The characters on each leaflet wear the corresponding colour attire to reinforce the differentiation between the different branches of the organisation and to maintain brand consistency.   

We opted for illustrations over photography, as the organisation wanted to move away from the photography direction. Having previously used images of Manuel Bravo himself in promotional materials, it felt inappropriate to them to plaster his image all over their outputs and social media. Our illustrations provided a more respectful alternative and maintained privacy and sensitivity.   

Figure 4: Initial line drawing illustration

 

Figure 5: In-house front page illustration

 

Figure 6: Back illustration for both leaflets in the In-house colour palette

 

Figure 7: Outreach front page illustration

 

Copy
While specific body copy was not provided to us by the client, we took the initiative to select words that we felt best represented the Manuel Bravo Project’s ethos. Drawing from our research and understanding of the organisation, we chose messaging that we felt was most important to display and we are confident that our banner design will help Manuel Bravo Project raise awareness and gain additional support.

Figure 8: Leaflet version 1

 

Figure 9: Leaflet version 2

 

Figure 10: Leaflet version 3

 

Final outputs

Due to the client being based in Leeds, we weren’t able to see the deliverables go to print. To reduce printing costs we, sent our client print-ready PDFs of each of our deliverables. To help the client we also provided them with rough estimates of the print production costs from CPS. To help the client visualise our leaflets and banner designs, we provided him with mock-ups to showcase the final deliverables in their potential environment.   

Figure 11: Mock up of finalised leaflets (front)

 

Figure 12: Mock up of finalised Outreach leaflet

 

Figure 13: Mock up of finalised leaflets (back)

 

Figure 14: Mock up of final banner

  

Reflection  

Although the designs of this real job are simple, we wanted to ensure each of the deliverables were easily accessible and understandable for the client’s target audience. Therefore, by providing the client with the option of having a QR translation code, it gave the client’s target audience a quick and efficient understanding of what their organisation does.  

 The job did come with its challenges, with the client’s recent rebrand, and no printed documents prior to our deliverables, the client had only been provided with RGB-coloured logos. This meant that when the documents were to be printed the colours would come out slightly different. To prevent this, we decided to create a CMYK colour conversion for the client to use in future output designs to ensure all future printed materials match our deliverables. This will ensure their branding remains consistent.   

Additionally, due to the client’s excitement about their rebranding and utilising their new logos, it caused a delay when providing us with other materials that we needed such as the body copy. They initially weren’t sure on the copy for these deliverables, which created some delays as we struggled to format the leaflets with the missing text. 

Another problem faced was incorporating their new logos. The client sent us versions of the logo that weren’t useable in our outputs as they hadn’t been sent in a high enough quality. Eventually, the main In-house logo was sent to us in a high-quality format, but the client couldn’t seem to provide the same with for the Outreach logo. This meant we had to use the In-house logo he sent to recreate the Outreach logo. At the end of the project, we sent this new logo for them to use in all future designs.  

Figure 15: Initial Outreach logo provided by client

 

Figure 16: Final Outreach logo created by us

Creating leaflets and banners was a new experience for both of us. This real job was invaluable and helped us develop new skills that we can take forward in similar future projects. We also got to experience real challenges that we may face in the industry.