Category: events

Branding workshop with Part 3 students

Chris Washington-Sare and students working on the brand proposition for There4Reading.
Chris Washington-Sare and students working on the brand proposition for There4Reading. 

Alumnus Chris Washington-Sare (1985-89), from Pentatonic Marketing, joined us this week to deliver an all-day workshop on ‘How to help charities develop their marketing proposition’ for Part 3 students, as part of their current practical project, ‘Not-for-profit branding and design thinking’.

Learning through a series of short presentations, group work and practical exercises, students were able to develop a marketing strategy for real charity clients ‘More than Food’ (a Trussell Trust food bank initiative), Team Berkshire (a initiative of Get Berkshire Active), There4Reading (Youth Volunteering in Reading) and Kileva (Helping communities in Kenya).

Students gained marketing insights on brand values, the importance of a vision and mission, how to understand and present the functional and emotional benefits of an organisation, how to identify the points of differentiation, and the brand personality. The day ended with a session on social identity and the use of semiotics in branding.

Our students loved it:

“I found the branding workshop very informative and worthwhile. It was useful to look at the project from a marketing perspective rather than as a designer. This gave me and my team a clearer understanding of our competitors, target audience and our charities vision.”

“The day was structured well, as we went through the process right from the beginning to the end. This gave chronology and a greater clarity to how the brand develops from initial research to a vision/mission/values which begin to hint at the imagery of the brand.”

Typography has a special relationship with many of our alumni. We very much value their contributions to ensure that our current students can see where their experience at Reading might lead.

Student competitor analysis for ‘More than Food’ looking at Points-of-Parity and Points-of-Difference.
Student competitor analysis for ‘More than Food’ looking at Points-of-Parity and Points-of-Difference.

‘Time(less) signs’ at Austrian Cultural Forum London

Showcase_1

The exhibition ‘Time(less) signs: Otto Neurath and reflections in Austrian Contemporary Art’ runs from 30 September 2014 to 9 January 2015, at the Austrian Cultural Forum London. It features a selection by curator Maria C. Holter from the ‘Zeit(lose) Zeichen’ exhibition first staged at Vienna’s Künstlerhaus in 2012, supplemented by original material from the Department’s Otto and Marie Neurath Isotype Collection (see image above). As part of the public programme accompanying the exhibition, co-curator Christopher Burke will give a talk on Isotype at the Austrian Cultural Forum on Tuesday 14 October 2014.

See also:

Interview with Maria Holter, exhibition curator

Zeit(lose) Zeichen

Isotype: design and contexts, 1925–1971

Reading presence at the New York & London Art Book Fairs

MoMA

Last week saw the annual, simultaneously programmed, Art Book Fairs at MoMA PS1 in New York and the Whitechapel Gallery in London. Contributors from the Typography Department’s Art Information symposium, first staged in April at London’s ICA, presented again in New York and organiser Ruth Blacksell was invited to talk at NYCUs Artists Institute space in Manhattan. John Morgan, who will follow on at the Artists Institute this Autumn, presented live at the London Fair with his sell-out Whitechapel event ‘I will not make any more boring books’. Amongst the plethora of conference presentations and events across locations, other highlights included AA Bronson in conversation (London), the ‘Unbinding the book’ projects (London), ‘Publishing as research and development’ featuring the web-based magazines Triple Canopy and East of Borneo (NY), Norway’s Kunstnerbøker focus (NY), David Reinfurt of Dexter Sinister on Bruno Munari (NY) and Emily McVarish from California College of the Arts on the book designs of Phil Zimmerman (NY).

NY Art Book Fair

The London Art Book Fair at the Whitechapel Gallery

Xerox

Printed Matter

Reading presence at the New York & London Art Book Fairs

MoMA

Last week saw the annual, simultaneously programmed, Art Book Fairs at MoMA PS1 in New York and the Whitechapel Gallery in London. Contributors from the Typography Department’s Art Information symposium, first staged in April at London’s ICA, presented again in New York and organiser Ruth Blacksell was invited to talk at NYCUs Artists Institute space in Manhattan. John Morgan, who will follow on at the Artists Institute this Autumn, presented live at the London Fair with his sell-out Whitechapel event ‘I will not make any more boring books’. Amongst the plethora of conference presentations and events across locations, other highlights included AA Bronson in conversation (London), the ‘Unbinding the book’ projects (London), ‘Publishing as research and development’ featuring the web-based magazines Triple Canopy and East of Borneo (NY), Norway’s Kunstnerbøker focus (NY), David Reinfurt of Dexter Sinister on Bruno Munari (NY) and Emily McVarish from California College of the Arts on the book designs of Phil Zimmerman (NY).

NY Art Book Fair

The London Art Book Fair at the Whitechapel Gallery

Xerox

Printed Matter

A very special ATypI

Jan Tschichold's corrections

As students were settling into their Halls for Welcome Week and the start of the new academic year, Sunday marked the return of several members of the Typography family from the annual ATypI conference, a highlight in the calendar of international type professionals. Held in Barcelona’s impressive new Museu del Diseny by MBM Arquitectes the conference was especially significant for Typography: to celebrate the award of the Sir Mischa Black Medal to Michael Twyman, the Association invited him to deliver the Keynote lecture on the topic of  “Typography as a university study”. (The image above, of visuals marked up by Tschichold for a facsimile edition of Vespasiano’s 1572 writing manual, is from Michael’s collections – and seen by postgraduates who join his seminars.)

Forty years after the foundation of the Department of Typography & Graphic Communication (and a few more since the inception of the original course, in the late 1960s), Michael’s integration of history, theory and practice continues to define typographic education. These ideas have proven not only resilient, but prescient: graphic communication education worldwide is moving towards these ideas, holding Reading as a model for both new courses and institutions realigning their design studies.

Fiona Ross and Michael Twyman

(Above: Fiona Ross and Michael Twyman in Barcelona. Photos by Elena Veguillas)

Reading’s presence at the conference was notable. Eric Kindel and Gerard Unger delivered presentations, as did no less than ten MATD alumni, with two more taking part in panel sessions (Azza Alameddine, Nathalie Dumont, Paul Hunt, William Montrose, Toshi Omagari, Michele Patane, Dan Reynolds, Dan Rhatigan, Alice Savoie, Liron Lavi Turkenich; and Veronika Burian and Nadine Chahine respectively). Fiona Ross co-curated (with the regrettably absent Vaibhav Singh) the exhibition “Making news: type technologies in transition in newspapers across the world”. The selection of items from the Department’s Collections & Archives are a source of fascination and discussion by type designers, and reflect the growth of interest in global scripts.

Making News exhibition
Borna Izadpanah and Behdad Esfahbod reviewing the Urdu section of the exhibition.

ATypI president (and Reading alumnus) José Scaglione’s announcement that ATypI 2015 will take place in São Paulo, the first South American location for the Association, which will bring the conference closer to the substantial community of Brazilian alumni.

Web designers go for typefaces

slide from SmashingConf

Kicking off a busy week for Typography staff, Gerry Leonidas spoke to a full hall at Smashing Conference in Freiburg. The new talk focused on typefaces from a web designer’s perspective, and included key notions for evaluating typefaces. Web design professionals are increasingly interested in typography and typeface design, where the Department’s expertise has many contributions to make. By way of a reminder, Marko Dugonjić (amongst many other things, SmashingConf reporter on Twitter) noted:

Crossing Borders in Antwerp

typosium 2014

The ninth Typosium, organised by Initiaal, took place at the Museum Plantin Moretus in Antwerp on 30 August, with the theme Crossing Borders/Genze(n)loos. Our own Jo De Baerdemaeker, Fiona Ross and Gerard Unger were amongst the presenters. Gerard spoke about his Alverata project, a contemporary typeface drawing on romanesque sources and employing a wide range of historically-inspired alternate shapes. Fiona wand Jo conducted a Dialogue on type, looking at a range of projects for global scripts.  Pictures on Jan Van der Linden’s photostream.

 

Full house at TYPE& in Tokyo

TYPE& Tokyo

 

Sponsored by Monotype, the 2014 TYPE& events in Tokyo included a masterclass for professional typeface designers, and presentations and panel discussion on multi-script typography and typeface design. The events captured the growing interest by Japanese type foundries to expand into Latin typeface design, and gave an opportunity to discuss Reading’s approach to developing multi-script design skills. Gerry Leonidas ran the masterclass on the first day of the event, and presented on the second, answering many questions on the MA Typeface Design programme’s contribution in the area. Reading alumna and Monotype employee Reiko Hirai was instrumental in the success of the event.

Gerry will be moving to a different part of Tokyo to spend a week at Mushashino Art University, and give a public lecture at the Toppan Printing Museum.

Full house at TYPE& in Tokyo

TYPE& Tokyo

 

Sponsored by Monotype, the 2014 TYPE& events in Tokyo included a masterclass for professional typeface designers, and presentations and panel discussion on multi-script typography and typeface design. The events captured the growing interest by Japanese type foundries to expand into Latin typeface design, and gave an opportunity to discuss Reading’s approach to developing multi-script design skills. Gerry Leonidas ran the masterclass on the first day of the event, and presented on the second, answering many questions on the MA Typeface Design programme’s contribution in the area. Reading alumna and Monotype employee Reiko Hirai was instrumental in the success of the event.

Gerry will be moving to a different part of Tokyo to spend a week at Mushashino Art University, and give a public lecture at the Toppan Printing Museum.